Micron Document




Linocut
──────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────
top
Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of relief printing in which a sheet of linoleum (sometimes mounted on a wooden block) is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press.

Multi-color linocuts can be made by successively printing with a different block for each color as in a color woodcut, as the artists of the Grosvenor School frequently did. As Pablo Picasso demonstrated, such prints can also be achieved using a single piece of linoleum in what is called the "reductive" print method. Essentially, after each successive color is imprinted onto the paper, the artist then cleans the lino plate and cuts away what will not be imprinted for the subsequently applied color.cite-ref-1[1]

Contents


──────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────────

Technique

Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of woodcuts. Lino is generally much easier to cut than wood, especially when heated, but the pressure of the printing process degrades the plate faster and it is difficult to create larger works due to the material's lack of rigidity.

Due to ease of use, linocut is widely used in schools to introduce children to the art of printmaking, using it to complete many tasks in the art lesson rather than going straight for the pencil and eraser. Similarly, non-professional artists often cut lino rather than wood for printing. Nevertheless, in the contemporary art world the linocut is an established professional print medium, because of its extensive use by the artists of the Expressionist art movement, Grosvenor School, followed by Pablo Picasso and Henri Matisse.

Emergence of the technique in America

"Linoleum art" was first displayed in New York City in 1911 by the Czech émigré Vojtěch Preissig. In his publications on linocuts (1926–29) the respected American printmaker, Pedro Joseph de Lemos, simplified the methods for art schools and introduced new techniques for color linocuts, including the printing of the key block first.cite-ref-edwardsrw-2-0[2] The first large-scale color linocuts made by an American artist were created c. 1943–45 by Walter Inglis Anderson, and exhibited at the Brooklyn Museum in 1949.

Selected artists

Josef Albers, German
Peeter Allik, Estonian
Valenti Angelo, American printmaker and illustrator
Sybil Andrews English-Canadian
Torsten Billman, Swedish
Emma Bormann, Austrian
Gail Brodholt, English
Horace Brodzky, Australian/British artist
Angel Botello, Spanish-Puerto Rican artist
Margaret Burroughs, American artist
Carlos Cortez, American poet and artist
David Call, American Deaf artist
Stanley Donwood, British artist
Yvonne Drewry, English artist
Janet Doub Erickson, American printmaker and artist
M. C. Escher, Dutch artist
Bill Fick, American printmaker and illustrator
Folly Cove Designers American design collective
Jacques Hnizdovsky, Ukrainian/American
William Kermode, Australian
Gaga Kovenchuk, Russian
Henri Matisse, French painter
Pablo Picasso, Spanish painter
Cyril Edward Power, English artist
Everett Ruess, American
Karl Schmidt-Rottluff, German printmaker and painter
John Shaw, American/Canadian painter and printmaker
Irena Sibley, Australian
James Blanding Sloan, American
Ethel Spowers, Australian printmaker
Ken Sprague, English artist
Frank Weitzel, New Zealand
Hannah Tompkins, American
Tom Hazelmyer, American
Gwen Frostic, American
Vanessa Lubach, British
Paweł Brodzisz, Polish artist

See also
References

cite-note-11. Judging the Authenticity of Prints by The Masters by David Rudd Cycleback. Retrieved: 2011-12-17.
cite-note-edwardsrw-22. citerefedwards2015Edwards, Robert W. (2015). Pedro de Lemos, Lasting Impressions: Works on Paper. Worcester, Mass.: Davis Publications Inc. pp. 68–69, 92 notes 370–373. ISBN 9781615284054.

Further reading

• Rice, William S., Block Prints: How to Make Them, Milwaukee: Bruce Publishing Company, 1941.
• Draffin, Nicholas, Australian Woodcuts and Linocuts of the 1920s and 1930s, South Melbourne: Sun Books, 1976.
• 30 Awesome and Fabulous Examples of Lino Printing articles by Artatm Creative Art Mazazine
• photo series: Linocut articles by German printmaker Joachim Graf
• Wheaton-Smith, Simon. Lino Cuts And Prints: How to screw them up, and how to fix them once you have. Free 200 page book.
• Orozco, Miguel (2024). Picasso Linocuts. Catalogue Raisonné, San Francisco, California. Academia.edu

External links

Wikimedia Commons has media related to

Linocut

.

Look up

linocut

in Wiktionary, the free dictionary.

• Large scale hand printed linocut video
• Explanation of art term 'Linocut' on Tate Gallery website
• The Lino Printing Process